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Snail - Feral

by Alex Mumford - 04 October 2015

Released: 9th October 2015

 

Label: Small Stone Records

 

Website: www.snailhq.com

 

Facebook: www.facebook.com/snailhq

I have been granted the task of feeding my ears to the Sounds of Seattle, Washington’s finest Snail. These chaps are a Stoner/Doom band with twenty years of experience. Here is my observation on their 4th and latest full album, fittingly named Feral.

 

From the get go, you can clearly hear the Doom thick in every strum at the strings of the guitar. The fuzziness exploding everywhere in the recording. Some thought-provoking riffs on show here, with melody unheard of in this genre. You can see their influences of Black Sabbath and Pink Floyd shining through here.

 

The album art is incredible. A huge Stag taking the pole-position of the picture with a Snail plodding across a Mushroom. The background are two colossal trees. Every colour you could think of on display here. For the Album Art alone it’s worth buying.

 

Recorded with Label Small Stone Records, the album is clearly not overproduced and still has elements of rawness resounding from it. Something which is needed in this type of genre.

Mark Johnson has a psychedelic roll to his voice. Clear similarities to Ghost frontman Papa Emeritus III. This becomes more apparent in the chorus of Smoke the Deathless. It’s almost a peaceful whisper above the dark trudge of Doom blasting the band are distributing. It does get lost in some verse areas where it is heavily laden with effects, but is made up for in every chorus with Johnson’s harmonious tones caressing you as you listen with a lashing of reverb and echo. Something I personally love to hear.

 

The lyrics are clear and catchy. One thing every lyricist aspires to. Derail having a great, very obvious chorus which will have it stuck in your head for days to come. Look out for that one!

Thou Art That is an slow burner, signs of progression in their music the later you get on in the album. It takes a long while for the big riffs to kick in, maybe too long. But when it does you are not disappointed. The fuzzy chug as described before is there and rattles every bone in your body.

 

The dulcet tones of the bass pound at you in every direction on this album, Laid on heavy in all areas of the album. Born in Captivity and Derail swamp you with these deep bounding notes. Derail especially with a jazzy/blues bass riff entry into the song. The overtones of the guitar kicking in over this give it a memorable classic rock feel to it. You can’t help but nod your head to it.

 

The drums give the music a simple beat to follow. Never over complicating any areas, they seem to compliment the music but not much else. There aren’t any stand out areas where the drums take the forefront, something I would have liked to have heard more.  But they do a job and it’s done well.

 

Psilocybe and Come Home to close and they slow down the album’s rather aggressive beginning and middle. The album takes a change where it moves from Stoner/Doom to a more Classic Rock feel. I wasn’t sure at first, but after a couple of listens it becomes a great addition to this record adding a little barefaced emotion to finish.  

 

Overall, this is a solid album which is entertaining to listen to for the most part. The Seattle trio should be happy with their creation. I hope that there is more to follow from these guys!

Alex's recommended track: Derail

 

For fans of: High on Fire, Down and Ghost

 

Can you see these guys in the UK?: There don't appear to be any dates currently.

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